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You may be surprised that even after writing 200 books (two-thirds of those novels) over the last 45+ years, including several New York Times bestsellers (most notably the Left Behind Series), I face those same problems every time.
Discovering what bestselling novelist Dean Koontz calls the Classic Story Structure (in his How to Write Best-Selling Fiction) changed my writing forever. My book sales took off when I started following his advice:
No. bibisco is not an Artificial Intelligence tool that will write the novel for you. bibisco will provide you with all the tools that can help you, but you will create the story with your work and talent.
Book Reviews117 Ozick, the only two women interviewed. I exaggerate when I say that all these interviews have nothing in common. The answers may vary widely, but there is, of course, a common question which can be summed up as "What does it mean to be a writer?" The contrast between these two women's answers is startling and almost comic. Brookner first tried her hand at the novel because she "wondered how it was done and the only way to find out seemed to be to try and do it" (327). This respected art scholar and teacher at the Courtauld Institute writes her novels during the summer recess, one per summer, and but for sometimes tinkering with the last chapter always submits her firstdraft manuscript (337-38). Compare this seemingly cavalier attitude with that of Ozick, who "never conceived of not writing a novel . . . was born to write a novel" (200): "Lately I think of this given condition [of being born a writer] as a kind of curse, because there is no way out of it. What a relief it would be to have the freedom of other people! Any inborn condition of this sort is, after all, a kind of slavery. ... I know that I will never stop until . . . disability or the grave" (201). Conference organizers take note: these two probably will not mix well. Variety is ever the keynote. Here is Elie Wiesel, whose work is fueled by a kind of mystical rage, and Joseph Brodsky, who confesses that his internal exile in Siberia, far from being a punishment, gave him "some exhilarating sense ofbeing with the rest ... a certain insight into the basics oflife" (389-90). And these people rattle around together in the same world. Brodsky feels that in Derek Walcott "we have a giant on our hands" (393), while John Irving is, one senses, most grateful to the interviewer for the chance to expose J.P. Donleavy's rude behavior in darkest Iowa, behavior especially reprehensible because Donleayy snubbed Irving's friend, John Cheever (433-35). I repent of the red herring I raised at the outset: this is a commendable book. In fact, the beauty is that one can wander in and out of it at will. JEROME SHEA University of New Mexico WILLIAM C. REEVE. In Pursuit ofPower: Heinrich von Kleist's Machiavellian Protagonists. Toronto: University ofToronto Press, 1987. 236 p. William C Reeve's study is meticulously researched, carefully argued, and exceptionally well written. Many readers will undoubtedly regard this study as an example oftextual criticism at its best. Reeve wisely restricts his focus to four plays, a decision that allows him to give his full attention to a close reading ofeach. He makes character the key to his interpretative effort, arguing that Kleist was attracted to the Machiavellian protagonist as a vehicle for calling into question the optimistic eighteenth-century view of man. Reeve's analysis in turn calls into question the usual classification of Kleist as a Romantic and suggests that the dramatist is more nearly a pragmatist in matters ofsocial and political motivation. His Machiavellian protagonist "plots 118Rocky Mountain Review the social or political elimination of a rival and by stealth and skilful manipulation of others determines the direction the action takes at almost every turn" (7). The presence of this figure, in both primary and secondary roles in half of Kleist's plays, suggests to Reeve that the Machiavellian protagonist is an unacknowledged source ofpsychological unity and motivation and therefore should figure prominently in our understanding of Kleist's dramatic world. In the first chapter and introduction to his study, Reeve is careful not to insist upon any direct influence. He does not claim, for example, that Kleist actually read Machiavelli's Il Principe, only that "there is a remarkable meeting ofminds across some three centuries" attributable to "[the writers'] proximity through birth to the ruling class," and thus to "their first-hand knowledge . . . of how power is achieved, exercised and maintained effectively" (4). Reeve postpones until his sixth and final chapter his discussion of the degree to which Machiavelli's ideas may have influenced Kleist through Shakespeare and Napoleon. His first concern, however, is to establish...
The cornerstone of the Novel Factory software for writers is to handle useful information that authors might be collating in order to help them write their novel. This could be relating to plot, characters, locations and more.
As well a offering a place to keep all that data, the Novel Factory goes one step further and suggests to writers what kind of information they might want to be collecting, such as basic info, backstory or character development ideas for characters, or sensory details to do with locations - what can you see, smell, hear, taste and touch?
By far the best way to access these resources is in the software (which is available to try completely free for 30 days) but due to popular demand we have translated some of these resources into downloadable, printable PDFs.
Plot is when you list all the elements of your story, like on a board. Items can be edited, moved, merged, splitted, reordered and deleted. You can even set a status, write notes and texts or add tags, metadata and pictures to each item. Categories are completely customizable, as are metadata and statuses.
Learning how to create an ebook can be overwhelming. Not only do you have to write the content, but you also need to design and format it into a professional-looking document that people will want to download and read.
Ebooks can increase the visibility and credibility of your business while positioning your brand as a thought leader in your industry. However, these ebooks can sometimes be hard to write, even though they offer many benefits.
Remember: The goal of your ebook is to generate leads for your sales team, so pick a topic that will make it easy for a prospect to go from downloading your ebook to having a conversation with your sales team.
Your ebook should be available for download through a landing page on your site. A landing page is a web page that promotes/describes your offer and provides a form that visitors need to fill out with their contact information to access your ebook. This is how you can convert your visitors into business leads that your sales team can ultimately follow up with.
For instance, you should have landing page analytics that gives you insight into how many people downloaded your ebook and converted into leads and closed-loop analytics that show how many of those people ultimately converted into opportunities and customers for your business.
So, what should you write about in your ebook? I'll answer that question with another question: What do you want your readers to get out of this ebook? To identify an ebook idea that suits your audience, consider the type of ebook you're trying to create. Here are a few ideas.
Each article can begin a new chapter. Then, once this ebook is created, you can promote it on a landing page, link to this landing page from each blog post, and generate leads from readers who want to download the entire blog series in one convenient ebook.
There's no set rule for organizing your content into an ebook. It generally mimics the structure of a novel or textbook (depending on what it is you're writing about). But, you should be sure to adhere to some aspects of an ebook.
For example, an environmental company might write an ebook about water conservation. They might also focus an ebook entirely on using their water-saving product or how it helped a customer solve a problem.
You can read an ebook on many different devices: iPhone, Android smartphones, a Macbook, PC, and e-readers such as the Nook and Kindle. The latter two devices are typically used to read novels in digital form. Nook and Kindle owners can store thousands of books (literally) on a single Nook or Kindle.
If you like advanced features, definitely check out Scrivener. It was created specifically for authors, and it contains all sorts of tools that are really helpful for those that write fiction or nonfiction.
One way to do this is to rewrite each idea on a fresh piece of paper, this time grouped together in related topics. Or, you could simply use different-colored highlighters to categorize your ideas with different colors.
The setup program can detect if you have a valid PDF converter installed. If it is missing it will download and install it for you.Offline Installation You can also install the program and the required components when you are in an offline environment. Normally the setup program will download the required components from the Internet. However, in some offline scenarios this is not possible.
Amazon recommends Kindle Create, their free interior formatting tool available for desktop on both Mac and PC. Kindle Create can be used to create novels, essays, memoirs (Reflowable); textbooks, travel books, and cookbooks (Interactive Print Replica); and Comics (Comics with Guided View).
You know how when gossip moves through the grapevine, it tends to stray further and further from the truth as it passes from person to person? This is because any time a person tells a story, they inevitably add their own unique biases, thoughts, and perspectives. For this reason, choosing the point of view your novel will be told from is an extremely important step in starting your novel and will have a huge impact on the actual story itself. 2b1af7f3a8